Entertainment journalist Jonathan Melville writes for the Guardian Edinburgh, the Edinburgh Evening News and ReelScotland. That is to say, Melville is quite proudly Scottish. (brownie point#1) Recently traveling the three thousand miles from Edinburgh to Hollywood for the TCM Classic Film Festival (brownie point #2), one item at the top of his itinerary was to retrace silent film history with a walking tour of historical Hollywood (brownie point #3). And who better to lead this noble pilgrimage than the Sire of Silent Hollywood, John Bengtson.
Older, wiser, more mature cities have duly dedicated plaques memorializing places of historic import, whereas Hollywood…. well … we have John Bengtson. For much of the late 20th Century, the City of Los Angeles went out of its way to systematically raze its precious architectural heritage from existence. A fairly recent and resounding call to arms has resulted in a Civic consciousness that has taken great strides to reverse the pattern to try and preserve what’s left. Or at least, reverse the indifferent attitude that made demolishing history so easy. Which is why Bengtson’s books, Silent Traces and Silent Echoes, are so vital. A prodigious work of obsessive research, Bengtson has resurrected early Hollywood with a meticulously curated collection of then-and-now shots of filming locations from the films of Charlie Chaplin, Buster Keaton and (coming soon) Harold Lloyd. Writer John Patterson called it a “mesmerizing lost geography of the emergent city of Los Angeles” and it is with considerable envy (of the most amiable sort) that I post Melville’s walking tour with Bengtson.
And do be sure to check out Jonathan Melville’s blog— an insightful treat for classic and modern film fans alike.