So. Chances are you’re here, reading these words, because you have some sort of affinity for classic films. Black, white, color, VistaVision, CinemaScope, 35mm, 70mm, cinerama and even smell-o-vision. And as a fan of celluloid cinema (something facing extinction with the onslaught of the now commonplace DCP and the possibly soon-to-be commonplace 48 FPS) you … Continue reading The Director’s Cut: Past, Present & Future
That was the question once asked by writer Ted Elrick, his answer coming in the form the essay Classic is in the Eye—and Mind—of the Beholder (as published in DGA News Magazine, Feb. 1992). Elrick gave the daunting task of defining that elusive quality which differentiates a good movie from a classic film to over 100 … Continue reading What Makes A Classic Film Classic…?
There were many things about 2011 I’d rather forget, and am quite eager to sweep under the rug and write off as a (semi) total loss. It was, however, a fantastic year for bloggers. And especially so for the classic film community– a niche that hitherto has been of a largely insular nature, existing on … Continue reading 2011 Best of the Blogathons RoundUp
I thought it would be fun to explore Chaplin’s fascinating love/hate relationship with a little thing called … sound. Chaplin may have been the one filmmaker to hold out the longest against sound, but he also happened to be one of the earliest filmmakers to embrace it. A fitting contradiction given Chaplin was … Continue reading Charlie Chaplin and the Sound of Silence
So here we are, day one of Project Keaton. Submissions are pouring in and The Pictorial is buzzing with excitement. The Project’s Tumblr and Facebook pages are up and running and … this is gonna be awesome, guys. So for the first official Project Keaton post, I’m going to be a total prima-donna and grab … Continue reading My Somewhat Neurotic Relationship with Buster Keaton Movies and Why They Make Me OK with Being Me.
This post is in conjunction with today’s Fashion in Film Blogathon behing hosted by the lovely Angela at The Hollywood Revue! Scene: Main Street, USA. 1937. Boy and girl at the local theatre watching the new Carole Lombard comedy Nothing Sacred. Lots of laughter, lots of coddling. The sight of Lombard in a voluminous yet … Continue reading Film Fashion Frenzy: Cinema Fashion Shops of the 1930s
Every morning I pass Charlie Chaplin’s studio. And I hate myself for letting it have become routine. When I first moved to Hollywood five years ago, it was reverent Holy Ground. And, oh, it still is! When I remember it’s there, that is. Rushing to work with a head full of figures and deadlines succeeded … Continue reading Charlie Chaplin's Studio: Then And Now
Every morning I pass Charlie Chaplin’s studio. And I hate myself for letting it have become routine. When I first moved to Hollywood five years ago, it was reverent Holy Ground. And, oh, it still is! When I remember it’s there, that is. Rushing to work with a head full of figures and deadlines succeeded … Continue reading Charlie Chaplin’s Studio: Then And Now
The Kitty Packard Pictorial has been Liebstered! C’est a dire, we’ve been presented with the “Liebster Blog” award from one of our favorite fellow film fanatics, The Lady Eve Sidwich, the cinemaven behind The Lady Eve’s Reel Life. Take a sampling of her recent posts and you’ll see exactly why this blog stands so well … Continue reading We've Been Liebstered! (I didn't know what it meant either…)
The Kitty Packard Pictorial has been Liebstered! C’est a dire, we’ve been presented with the “Liebster Blog” award from one of our favorite fellow film fanatics, The Lady Eve Sidwich, the cinemaven behind The Lady Eve’s Reel Life. Take a sampling of her recent posts and you’ll see exactly why this blog stands so well … Continue reading We’ve Been Liebstered! (I didn’t know what it meant either…)
The Kitty Packard Pictorial 