The Kitty Packard Pictorial has been Liebstered! C’est a dire, we’ve been presented with the “Liebster Blog” award from one of our favorite fellow film fanatics, The Lady Eve Sidwich, the cinemaven behind The Lady Eve’s Reel Life. Take a sampling of her recent posts and you’ll see exactly why this blog stands so well … Continue reading We've Been Liebstered! (I didn't know what it meant either…)
The Kitty Packard Pictorial has been Liebstered! C’est a dire, we’ve been presented with the “Liebster Blog” award from one of our favorite fellow film fanatics, The Lady Eve Sidwich, the cinemaven behind The Lady Eve’s Reel Life. Take a sampling of her recent posts and you’ll see exactly why this blog stands so well … Continue reading We’ve Been Liebstered! (I didn’t know what it meant either…)
Next year, an entirely new kind of silent film festival is coming to Hollywood. The Laugh and Live Film Festival, presented by Los Angeles-based film historian Sparrow Morgan, will be the first festival of its kind: focusing on reviving, not just interest in silent film, but the very medium of silent film itself. The Pictorial … Continue reading Call for Entries: The 2012 Laugh and Live Silent Film Festival
I have been remiss with my Pictorial Palettes as of late– infuriatingly so, because I truly do love these romantic indulgences of conjecture and color. So I am reinstating the tradition with Edward Hopper’s 1939 piece “”New York Movie.” A departure from our previous palettes, which were full color photo portraits or film stills, this … Continue reading Pictorial Palette: Edward Hopper's New York Movie
I have been remiss with my Pictorial Palettes as of late– infuriatingly so, because I truly do love these romantic indulgences of conjecture and color. So I am reinstating the tradition with Edward Hopper’s 1939 piece “”New York Movie.” A departure from our previous palettes, which were full color photo portraits or film stills, this … Continue reading Pictorial Palette: Edward Hopper’s New York Movie
Louis Malle. The letters are languorous and they roll (make that, rrrollllll) off the tongue slow… and sexy … and, well, French. He’s a conundrum. A New Wave filmmaker very much apart from his fellow New Wave filmmakers. He was not one of the Cahiers, did not have a byline with Truffaut or Rivette. He … Continue reading Death Walk: Louis Malle
The Self-Styled Siren is one the absolute undisputed best blogs on classic film. And this past week, it has played host to a most noble endeavor: For the Love of Film Noir Blogathon. Everyone from the New York Times to Leonard Maltin has been, in at least some form, involved in promoting awareness of the … Continue reading FOR THE LOVE OF FILM NOIR
We were just given a heads up about a site dedicated to viewing classic film online called “Big Five Glories.” Suspicious at first, I am currently having the most delicious time eating my words. The quality isn’t the greatest on some of the films, but there are no gimmicks here: no membership fees, no pop-ups, … Continue reading BIG FIVE GLORIES: CLASSIC MOVIES ONLINE
In many respects, The Film Foundation is more than just the leader in film preservation. It IS film preservation. There isn’t an organization out there that has been more instrumental in raising awareness and support for film preservation than The Foundation. For the past twenty years, the non-profit spearheaded by Martin Scorsese and a roster … Continue reading The Film Foundation: 20 Years of Preservation
Ravishing Rita Hayworth in The Loves of Carmen (1948) at a time when the actress was at her absolute celestial peak. A love goddess in full bloom. The irony with this film, of course, is that Hollywood famously forced Hayworth to downplay her Spanish heritage (electrolysis, etc.) and yet those same Mediterranean genes are capitalized … Continue reading Pictorial Palette #2 – Rita Hayworth
The Kitty Packard Pictorial 