Your classic film companion
For the month of October, the Pictorial will be heavily focusing on the life, work and art of the legendary Buster Keaton. It felt right we should do so, given Buster’s 116th birthday on October 4th, the month-long salute to Keaton’s films on Turner Classic Movies, and some exciting new releases from Kino video. Project […]
Read MoreThis post is in conjunction with today’s Fashion in Film Blogathon behing hosted by the lovely Angela at The Hollywood Revue! Scene: Main Street, USA. 1937. Boy and girl at the local theatre watching the new Carole Lombard comedy Nothing Sacred. Lots of laughter, lots of coddling. The sight of Lombard in a voluminous yet […]
Read MoreAs all you readers of the Pictorial are well aware, I’m something of a Turner Classic Movies junkie… As I know many of you are too! Which is why I’m just plain tickled pink over the fact that TCM recently asked my pal Will McKinley and I to participate in their September podcast. Will lives […]
Read MoreAs all you readers of the Pictorial are well aware, I’m something of a Turner Classic Movies junkie… As I know many of you are too! Which is why I’m just plain tickled pink over the fact that TCM recently asked my pal Will McKinley and I to participate in their September podcast. Will lives […]
Read MoreSo once in awhile, Ol’ Blue Eyes gets under my skin and, ring-a-ding-ding, he absolutely ends up doing it his way and there’s nothing I can do-be-do-be-do about it. The Wee Small Hours and No One Cares have been regulars on my semi-new turntable– pieces of art that positively thrive in the acoustic-friendly, teensy confines […]
Read MoreLegs. Gams. A whole lotta tomato. Pick your hyperbole, the fact is that 1930s cinema were full of that most suggestive of appendages in a way never quite paralleled since. Sure, they’re still everywhere because they’re still sexy. They’ve always been sexy– ever since skirts first hiked heavenward in the late 20s straight through to […]
Read MoreDavid Thomson is one of my favorite film critics, if for no other reason than he’s not above throwing film theory out the window to say, in effect, “I like it because I like it SO THERE.” I’m always game to read a good shadowplay soapbox from Thompson’s lovably cantankerous pen. The fact that when […]
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